Experiencing The Necks live is like entering a living organism, a hypnotic, mystical experience. The music takes shape in small, almost inaudible movements, building up layers upon layers that undulate to a point where time and space dissolve. As the Los Angeles Times wrote: \u201cA magic act masquerading as a piano trio\u2026 You’ll rarely spend an hour that passes so quickly \u2014 and rewardingly.\u201d
\nThe Necks have released 18 albums and have become something of a cult band that fuses experimental jazz with minimalism, drone, avant-garde, ambient and krautrock. They have drawn comparisons from critics to groups like Faust, Can and Philp Glass.<\/p>\n
Written about The Necks<\/p>\n
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\u201c\u2026Entirely new and entirely now\u2026 They produce a post-jazz, post-rock, post-everything sonic experience that has few parallels or rivals. They may teach us to listen in a new way, but they communicate a fierce energy and warmth at the same time. Their music is a thrilling, emotional journey into the unknown. Like seeing a world in a grain of sand, The Necks permit us to hear a whole new world of music in a sliver of sound.\u201d \u2013 The Guardian<\/p>\n
\u201cAbsolutely riveting\u2026how three musicians can sound like eighteen is a mystery\u2026 extraordinary magical sounds emerged from the ensemble\u2026the way The Necks do this with acoustic instruments is nothing short of miraculous.\u201d \u2013 Financial Times.<\/p>\n
Chris Abrahams – piano
\nLloyd Swanton – bas
\nTony Buck – trummor<\/p>\n
\u201dThe greatest trio on earth\u201d New York Times<\/p>\n
Entr\u00e9 220 kr. Boka plats p\u00e5 studio@rorane.se<\/p>\n